NEWS
Projects
MISSING/M LEUVEN 2024
Boucalais 2004-24
Ecce Venenum 2024
dreamCast 2024
Alles is Vier/A is for ... 2024
ACADEMIA 2023
A.A.S.S. 2023
ACG (WOW) 2022
Agua con Gaz 2012-17
AllhiheyAll 1984-2005-2026
Belíndia 2021
B.L.F.
Brenner Passions 2008-23
Bureau of Untitled 2010-15
Camino Welt 2015-19
Le Chateau 2012
Corporate Culture 2016-19
Dead Artists Route
Django Jane 2021
Gender Blues 2022
Googolplex 2015-16
Human Maths 1986-2016
iDA.nn 2018-20
Innumerat 2000-21
Inonde Moi 2022
Karaoke Silence 2021
Kompetron 2021
Quitter's Gold 2022-23
Lettres d' Ixelles 2010-19
le Sang 2021
Locusts 2021
Lord Art Prize 2021-22
nft 2021-23
nn.Pearl 2014-19
Nomadic Works 2011-22
Made in Luxembourg 2020
moneyriver 2020
Orchidaceae.Da 2021
Proposition 21
Q and A 2015-20
Rana Plaza 2020
Safe as Milk 2022
Salinas 2018
Saudade de Europa 2016-22
SCARPE-CRINCHON 2022
subsidiewinkel 2021
subTrunk 2020-22
toxiThropea 2018
toxiThropea.sunset 2019
WE ARE THE PEOPLE 2014-22
Zea Mays 2013-14
Artists
VA ( Various Artists )
BLF ( Bren Leroy )
NN ( Innumerat Roselare )
INT ( Armin Turing )
JKO ( Johannes Korstjens )
LIB ( Lima Drib )
NEB ( n.e.b.u.s.i )
DIG ( Délia Sheehy )
DEP ( Willy Depoortere )
ATH ( Aude Thensiau )
CXM ( Christl & Martn coppens )
MAQ ( martaque )
ZOO ( Stann Zooeydóttir )
VDS ( Valereson da Silva )
OMA ( Ana Omandichana )
CIN ( Cindy Janssens )
WAR ( Freddy Grant )
BOB ( Robert Ingelbrec )
DDW ( Diederick Dewaere )
MAB ( marcella.B )
SUF ( Albert Savereys )
HTH ( Hélène Thensiau )
MdL ( Morice de Lisle )
LTE ( Wijlen Trudo Engels )
MUM ( mumei )
N0DINE
HUMATHS
If This Then That
zombieBox
WE EW
MALL
Blueprint
SAS
Youth Section
Bookstore
OPRUER
Made in Luxembourg
Money River
AllhiheyAll
Rana Plaza
Pet Shop
A.A.S (S)
AVATAR
Locksmith
CALL
ARTIST WANTED
Lord Art Prize
Various Executive Producers
Various Producers
Dear Artist
texts
Luisa Ausenda, q & a (eng)
Olivia Ardui, Sur les traces d’un crime (fr)
Olivia Ardui, On the trail of a crime (eng)
Catherine Bompuis, L'ARTISTE COMME FICTION (fr)
Elke Van Campenhout, LE CHÂTEAU (eng)
Elke Van Campenhout, VARIOUS ARTISTS 3.0 (eng)
Catherine de Zegher: Lunchtime with Catherine (eng)
Charlotte Dhont, De Kunstenaar-Diplomaat in zijn Chaosmos.
Lenka Dolanová: Peripherique.0 (eng)
Loes Jacobs:Corporate Scenism
Bartomeu Marí, CILDO MEIRELES & VARIOUS ARTISTS (eng)
Bartomeu Marí, CILDO MEIRELES & VARIOUS ARTISTS (esp)
Various Artists, Giaguara
Various Artists, queerBoy
PRIVATE
about
Breakfast Stories
Venice Studios
FB Secret Room
A Perfect Cigarette
Futures
contact
Menu
Various Artists
NEWS
Projects
MISSING/M LEUVEN 2024
Boucalais 2004-24
Ecce Venenum 2024
dreamCast 2024
Alles is Vier/A is for ... 2024
ACADEMIA 2023
A.A.S.S. 2023
ACG (WOW) 2022
Agua con Gaz 2012-17
AllhiheyAll 1984-2005-2026
Belíndia 2021
B.L.F.
Brenner Passions 2008-23
Bureau of Untitled 2010-15
Camino Welt 2015-19
Le Chateau 2012
Corporate Culture 2016-19
Dead Artists Route
Django Jane 2021
Gender Blues 2022
Googolplex 2015-16
Human Maths 1986-2016
iDA.nn 2018-20
Innumerat 2000-21
Inonde Moi 2022
Karaoke Silence 2021
Kompetron 2021
Quitter's Gold 2022-23
Lettres d' Ixelles 2010-19
le Sang 2021
Locusts 2021
Lord Art Prize 2021-22
nft 2021-23
nn.Pearl 2014-19
Nomadic Works 2011-22
Made in Luxembourg 2020
moneyriver 2020
Orchidaceae.Da 2021
Proposition 21
Q and A 2015-20
Rana Plaza 2020
Safe as Milk 2022
Salinas 2018
Saudade de Europa 2016-22
SCARPE-CRINCHON 2022
subsidiewinkel 2021
subTrunk 2020-22
toxiThropea 2018
toxiThropea.sunset 2019
WE ARE THE PEOPLE 2014-22
Zea Mays 2013-14
Artists
VA ( Various Artists )
BLF ( Bren Leroy )
NN ( Innumerat Roselare )
INT ( Armin Turing )
JKO ( Johannes Korstjens )
LIB ( Lima Drib )
NEB ( n.e.b.u.s.i )
DIG ( Délia Sheehy )
DEP ( Willy Depoortere )
ATH ( Aude Thensiau )
CXM ( Christl & Martn coppens )
MAQ ( martaque )
ZOO ( Stann Zooeydóttir )
VDS ( Valereson da Silva )
OMA ( Ana Omandichana )
CIN ( Cindy Janssens )
WAR ( Freddy Grant )
BOB ( Robert Ingelbrec )
DDW ( Diederick Dewaere )
MAB ( marcella.B )
SUF ( Albert Savereys )
HTH ( Hélène Thensiau )
MdL ( Morice de Lisle )
LTE ( Wijlen Trudo Engels )
MUM ( mumei )
N0DINE
HUMATHS
If This Then That
zombieBox
WE EW
MALL
Blueprint
SAS
Youth Section
Bookstore
OPRUER
Made in Luxembourg
Money River
AllhiheyAll
Rana Plaza
Pet Shop
A.A.S (S)
AVATAR
Locksmith
CALL
ARTIST WANTED
Lord Art Prize
Various Executive Producers
Various Producers
Dear Artist
texts
Luisa Ausenda, q & a (eng)
Olivia Ardui, Sur les traces d’un crime (fr)
Olivia Ardui, On the trail of a crime (eng)
Catherine Bompuis, L'ARTISTE COMME FICTION (fr)
Elke Van Campenhout, LE CHÂTEAU (eng)
Elke Van Campenhout, VARIOUS ARTISTS 3.0 (eng)
Catherine de Zegher: Lunchtime with Catherine (eng)
Charlotte Dhont, De Kunstenaar-Diplomaat in zijn Chaosmos.
Lenka Dolanová: Peripherique.0 (eng)
Loes Jacobs:Corporate Scenism
Bartomeu Marí, CILDO MEIRELES & VARIOUS ARTISTS (eng)
Bartomeu Marí, CILDO MEIRELES & VARIOUS ARTISTS (esp)
Various Artists, Giaguara
Various Artists, queerBoy
PRIVATE
about
Breakfast Stories
Venice Studios
FB Secret Room
A Perfect Cigarette
Futures
contact
SUBSIDISED SURVEY (ANONYMOUS)
22 minutes
1 / Where did you grow up?
2 / What is your social background?
3 / What profession(s) do your parents practice?
4 / What studies / training have you followed?
5 / At what age did you first come into contact with art or the cultural field?
6 / Was it because of your family?
Yes
No
7 / Have you ever heard of Marcel Duchamp or Louise Bourgeois?
Yes
No
At what age?
51/ To what extent can obtaining a subsidy affect your private life?
Full time
During my free time
Occasionally
9 / From which perspective(s)?
Exhibition
To earn money
For personal enjoyment
Social status
Political project
Other:
10 / Do you distinguish between an amateur practice and a professional practice?
Yes
No
11 / By what criteria?
12 / Do you consider yourself an artist?
13 / Do you expect recognition?
Yes
No
14 / From whom?
15 / Do you have a job to support your artistic practice?
Horeca (Bar and restaurant)
Education
Cultural sector
Other
No
16 / Do you receive financial compensation for your artistic work?
Yes
No
17 / Is it sufficient to meet your so-called "essential" needs?
Yes
No
18 / Is it sufficient to meet your needs in relation to your artistic practice?
Yes
No
19 / Is it sufficient to cover other expenses (leisure, travel, etc.)?
Yes
No
20 / Do you receive a replacement income?
Unemployment
Artist statute
Pension
OCMW/CPAS
Patronage
Other
No
21 / Do you sometimes carry out your artistic practice without any financial compensation?
Yes
No
22 / For what reason(s)?
The opportunity to present
Visibility
To get in touch with other actors in the cultural sector
The search for experience
From a social or political perspective
Without special reason
Other:
23 / How do you finance your artistic practice?
24 / Do you have a place to work?
At home
In another place
No
25 / If yes, what characterises this room? (Several options possible)
Individual studio
Shared studio
Rent paid by you
Rent paid by an institution
Free space
Squat
Other:
26 / Do you work alone?
Yes
No
27 / Are you in contact with cultural institutions that allow you to create, stock and present or exhibit?
28 / Do you participate in exhibitions, fairs, cultural events?
Yes
No
How often?
29 / What are the administrative activities related to your artistic practice?
Writing of applications (calls for projects, competitions, residencies, grants, etc.)
Promotional material
Taxes and fiscal declarations
Archiveren
Other:
30 / What percentage of your time do you spend on it?
31 / Do you think this is part of your artistic practice?
32 / Do you manage to value this kind of work financially?
Yes
No
For how much?
33 / When do you consider participation in a selection process successful?
34 / Do you promote yourself?
35 / If you receive grants or other funding, do you receive them before or after your project?
36 / How are they paid for?
Reimbursement on invoice:
always
often
rarely
never
Partial and limited payments:
always
often
rarely
never
Full and immediate payment:
always
often
rarely
never
Other:
37 / Do the subsidies take your salary into account?
always
often
rarely
never
How :
38 / Is all your working time subsidised or only the visible working time?
39 / Are you taxed for these subsidies?
Yes
No
For how much?
40/ Do you include a monthly income in the budget of a subsidy application?
41 / Would you share your subsidies?
Yes
No
With whom?
42/ If you are paid as a collective, how will you be reimbursed?
Individual
Collective
43/ Could you estimate your annual budget for living and production?
44 / How much do you estimate your annual income from your artistic activity?
45/ How much do you sell one of your works/services for on average?
46 / How much will you be taxed on a sale?
47 / What percentage of your turnover / income do you declare?
*
48/ How do you finance your projects while awaiting payment?
49/ How do you account for the money used in grants?
Material costs
Salary
RPI
Paid in black
On invoice
50/ To what extent can obtaining a subsidy influence the realisation of your projects?
51/ To what extent can obtaining a subsidy affect your private life?
52 / What kind of structures and organisations do you turn to for funding your projects?
Private :
always
often
rarely
never
Public funds :
always
often
rarely
never
53/ In which domain?
Cultural :
always
often
rarely
never
Socio-artistic :
always
often
rarely
never
Educational :
always
often
rarely
never
Other:
54/ How do you finance the purchase of your equipment or the salaries of the people you work with?
Thanks to subsidies:
always
often
rarely
never
Thanks to sponsorship:
always
often
rarely
never
By withholding your salary(s):
always
often
rarely
never
Through theft:
always
often
rarely
never
Other:
55/ Are you able to adequately estimate your budget before writing the dossier?
56 / What do you take into account?
57/ What is your approach to applying for financial assistance?
58/ How do you valuate your work?
In time: how much?
According to accomplishment: how much?
Other:
59/ On which factor(s) do you think the allocation of subsidies depends?
Seniority :
always
often
rarely
never
Fame :
always
often
rarely
never
Network :
always
often
rarely
never
Other:
60/ Have you ever bought a subsidy file from Various Artists for 1 Euro ?
61 / Have you ever paid to exhibit or present artistic work?
62 / If you are associated with a gallery, what percentage does the gallery take from the sale of your work?
63/ For what maximum amount do you think you can carry out a project without subsidies?
64/ How do you feel after receiving a grant?
Guilt :
always
often
rarely
never
Proudly :
always
often
rarely
never
Relief :
always
often
rarely
never
Nothing :
always
often
rarely
never
A different feeling :
65 / How do you feel after not receiving a subsidy?
Remorse :
always
often
rarely
never
Disappointment :
always
often
rarely
never
Anger :
always
often
rarely
never
Shame :
always
often
rarely
never
Doubt :
always
often
rarely
never
Nothing :
always
often
rarely
never
A different feeling :
66/ To what extent do you share your subsidies?
67/ How do you envisage the counterpart of the grantor?
68/ What do you think is expected of you?
69/ Are you liable?
Yes
No
To whom?
70/ What feedback do you receive on the implementation of the financed projects?
71/ Do you relaunch a rejected project?
72/ Are you changing it?
73/ Do you take into account the responses and criticisms that caused your project not to be accepted?
74/ Do you write your projects in collaboration with other people?
75/ Do you use a third party to write and apply for subsidies?
76/ Would you be willing to share your files as an example to others?
Dank U wel!